Et oui pas de probleme quand j'utilise les sons un par un.
Le problème viendrait en fait de la trop grosse complexité des sons d'usine que j'ai ensuite retravaillé.
Possédant l'engin depuis peu je ne me suis pas encore aventuré a partir des banques vides et ai préféré intégré la machine a mon environement de travail.
Un membre du forum "infekted" qui possede le TI Snow (performences allégées par rapport au TI) m'a repondu a ce sujet :
"This is a known problem caused by limited polyphony/voices of the Virus. I own the little brother of the Ti Desktop the TI Snow, which comes with "just" one DSP instead of two, sohalf the power of that TI Desktop modell.
The Ti Desktop has 80 voices max and if your multi-patches are using the DSP a lot (effects) "note-stealing" beginns quite early.
In my TI Snow manual the are several tipps to avoid this effect. Can't quote them all, but I think the TI Snow manual (page 35+) is included in the 2.7beta Software available at
www.access-music.de (see other thread in this forum).
Quote:
The Virus TI Snow has several features which are considerably more demanding of the available DSP power
than others, and this can become apparent much more quickly in Multi Mode. Once you hit the upper limit
by playing more notes than the Virus can play at one time, then consdidered ‘note-stealing’ can occur, an
effect which can be quite noticeable in certain arrangements.
If you find you are running out voices too quickly, you could take a closer look at the patches you are using,
and seeing if they can be optimised in any way.
Tipps given for the Ti Snow to cut down complex patches...
Check and avoid:
- Unison Mode (Common Menu)
- Analog 1-4pole (Filter Menu)
- WavePWM or Grain /Formant Complex (Osc1/2 Menu)
- Reverb"
Je pense essayer de boucer chaque piste et ensuite les retravailler avec les effets dispo dans Live. Ca va grave changer ma methode de travail mais peut etre m'ouvrir aussi d'autres possibilités.
Si d'autres personnes ont des comentaires a emmettre a ce propos n'hésitez pas.
